Studio: Paramount Pictures
Director: Parker Finn
Writer: Parker Finn
Producer: Marty Bowen, Wyck Godfrey, Isaac Klausner, Parker Finn, Robert Salerno
Stars: Naomi Scott, Rosemarie DeWitt, Lukas Gage, Miles Gutierrez-Riley, Peter Jacobson, Ray Nicholson, Dylan Gelula, Raul Castillo, Kyle Gallner
Review Score:
Summary:
A troubled popstar inherits the curse of an entity that causes terrifying hallucinations of smiling people before driving someone to commit suicide.
Review:
It's been six days since police detective Joel (Kyle Gallner) witnessed the shocking suicide of his ex-girlfriend at the end of "Smile." Destined to be driven to a similar fate in under 24 hours, Joel desperately tries to avoid death by passing the curse of a parasitic trauma entity, who haunts its host with hallucinations until they die in front of a witness that becomes the next victim, to someone he deems deserving. Unfortunately, Joel's attempt to curse a murderous drug dealer goes haywire, and a low-level stooge ends up the demon's next target instead.
With that, "Smile 2" moves on to a new cast and a new story that doesn't require new viewers to know anything else about the first film. Through a "Drew Barrymore Show" snippet, we're soon introduced to popstar Skye Riley. One year ago, Skye survived a deadly car wreck that killed her actor boyfriend Paul Hudson (Ray Nicholson). The road to recovery has left her with physical and mental scars, and a trail of empty pill bottles to go along with a substance abuse problem she and Paul shared. Preparations for her upcoming comeback tour have been grueling. Skye needs Vicodin to work through rehearsals, and the only option she has left for getting what she needs is her old high school contact Lewis, the guy who got cursed in the prologue.
Skye isn't even in his apartment for five seconds when Lewis flips his lid, ranting and raving about visions no one else can see. Lewis only calms down when an unsettling smile changes his face. Now it's Skye's turn to go berserk as she helplessly watches Lewis brutally bash in his own head with a barbell plate. If she thinks that's horrifying, wait until she sees what else happens now that she's the new link in the trauma being's chain.
Refreshing my memory of the original "Smile" by looking back at my review (review here), it speaks to writer/director Parker Finn's consistency that I said, "a list of the movie's perks begins with Sosie Bacon's performance in the top spot" because the same sentiment holds true for Naomi Scott's performance in "Smile 2." Skye Riley is a surprisingly captivating character who anchors all of the emotional hooks in the film. A balanced mix between conceited celebrity and approachable person, Skye's worst traits stop her from being completely sympathetic sometimes, yet Scott still convincingly grounds her escalating madness in heartbreaking humanity to create a relatable personality whose conflicts keep Skye intriguing.
Also speaking to Finn's consistency, it's funny that my top two quibbles about "Smile" had to do with its excessive length of nearly two hours and its lack of revelations regarding exactly how its fiction functioned. As if intentionally defying the first criticism, Finn actually makes "Smile 2" even longer, topping out at seven minutes over two hours. I'm not sure the movie needs a complete song and dance number from Skye, or multiple costume changes for her photo shoot montage. But I admire Finn for seemingly saying, "what do impatient people know, I'm going to do this my way," even if his way involves making scenes longer than narratively necessary.
"Smile 2" doesn't offer any new explanations about the curse, either. The structure of the story puts Skye in a starting position where she has no way of knowing why she is having hallucinations of smiling people stalking her. In order for her to obtain exposition, the script creates a character, and smartly casts veteran actor Peter Jacobson to play him for added credibility, whose main purpose is to explain the situation to Skye after she's already been through a harrowing experience for an hour. I would agree that taking too much mystery out of the monster might be detrimental to how effective the eeriness can be. Yet anyone searching for more information on the movie's mythology will be out of luck once again.
In the meantime, "Smile 2" overcomes minor drawbacks by being stylishly scary and routinely unnerving. The film repeatedly features grotesque deaths that are almost artistic in their gruesomeness. Finn appears to have a particular fascination with painful pulling, as there are shots of pulling a glass shard out of a bare foot, pulling an IV needle out of an arm, and plenty of hair clumps pulled out of Skye's head.
Between crunchy tugs on that hair and the barbell plate dragging heavily across the floor, every frightening flinch comes with an accompanying sound effect that heightens the visceral intensity. Add in a cool blue hue to accent atmosphere and "Smile 2" carries a chilling tone all the way from Joel's violent death to an ending that sends viewers home with a suggestion so sinister, you have to applaud the movie's delightfully sick sense of humor.
Although sleeker and perhaps scarier, or at least squirmier, than the first movie, "Smile 2's" fault is that it's arguably "more of the same" rather than a real advancement on what came before. The formula certainly seems to be getting refined on the technical end, as the film looks fantastic. If Parker Finn can just figure out how to add a little more heft to the backstory, and if a judicious editor can help curb his urge to be overindulgent on scene lengths, "Smile 3" could be even better, bleaker, and possibly more macabre than this series is already shaping up to be.
Review Score: 70
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