“825 Forest Road” is recommended for fans of movies made by indie artists who put sincere commitment into personal projects.

“The Rule of Jenny Pen” fires off frightful suggestions from a bevy of barrels pointed directly at anyone who has ever felt unnoticed and unheard.

I can't recommend "Curse of the Clown Motel,” but I can recommend a trip to the actual Clown Motel and its surrounding town of Tonopah, Nevada.

It’s moderately more watchable than “Popeye’s Revenge,” though that’s like saying being mauled by a bear is preferable to being mauled by a lion.

Samara Weaving earns top billing and the most minutes onscreen, but “Borderline” is really a greater showcase for Ray Nicholson.

The uneven experience ends up feeling so fleeting that I’m uncertain what needs to be said about the movie other than a head-tilting “eh.”

Once the slight shininess of “Bloat’s” “screenlife” sheen gets dulled, it’s even easier to see the movie as a rote possession yarn.

Dualities dominate “F Marry Kill,” though they cause confusing creative conflicts more often than they work in tandem to complement one another.

What’s the point in paying the movie any attention simply because it was first to hijack a lapsed Disney property for exploitation in hacky horror?

“Popeye’s Revenge” makes a strong case on behalf of corporate lawyers for why ordinary people shouldn’t be allowed within an inch of lucrative IP.

The world created for “The Gorge” might work better in a book, where an active imagination can shine brighter lights on the creatures and concepts than the movie does.

It’s not your fault if you make the mistake of assuming “Piglet” spun out of the “Winnie-the-Pooh: Blood and Honey” series.

“Dark Match” got me thinking. How did I handle B-movie believability when I was younger? What was the criteria for suspension of disbelief?

Characters kept at arm’s length from audience investment and predictable beats transform “Wolf Man” into a disappointingly bland movie.

“The Damned” concludes on an unsatisfying explanation that retroactively reduces the entire experience to a big buildup for one minor moment.