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“Ash” shows more promise for Flying Lotus’s filmmaking future rather than impressing as an early career highlight to be repeatedly revisited.
“The Woman in the Yard” languishes as a mostly muted spooker that’s heavy on dour drama, yet light on lasting chills.
What’s the point in paying the movie any attention simply because it was first to hijack a lapsed Disney property for exploitation in hacky horror?
“Presence” illustrates the dreadful dullness a stranded spirit would actually encounter while peacefully haunting a normal house.
Somewhat swiftly, “Bloody Axe Wound” sheds the skin of a slasher spoof to morph into a more intriguing inversion of a coming-of-age tale.
“Ash” shows more promise for Flying Lotus’s filmmaking future rather than impressing as an early career highlight to be repeatedly revisited.